Fitz and The Tantrums
Since forming in 2008, Fitz and the Tantrums have always been a band hell-bent on evolving.
Having made a splash with the soulful R&B-revival sound of their debut album, 2010’s Pickin’ Up The Pieces (released on Dangerbird Records), the band offered up a New Wave-influenced dance-pop sound with its Elektra Records debut, 2013’s Heatseekers No. 1 More Than Just A Dream, which featured the gold-certified and #1 Alternative Radio singles “The Walker” and “Out of My League.” The album’s success sent Fitz and the Tantrums on a two-year touring odyssey, which enabled the Los Angeles-based sextet — known for its explosive, no-holds barred live shows — to cement themselves as one of the country’s hottest live acts. “We felt incredibly validated by the reception to More Than Just A Dream,” says the band’s co-vocalist Michael “Fitz” Fitzpatrick. “We knew we could pull from many different styles and create a truly hybrid form of music, and do it in a way that felt authentic. At that point, we felt even more empowered to do whatever we wanted creatively.” But when it came time to write the songs for Fitz and the Tantrums’ third album, it became clear to Fitz and his co-vocalist Noelle Scaggs that they were suffering from a classic case of writer’s block.
“…we felt even more empowered to do whatever we wanted creatively.”
It was January 2015 and the band, which also includes James King (saxophone, flute), Jeremy Ruzumna (keyboards), Joseph Karnes (bass), and John Wicks (drums, percussion), had barely been home since the release of More Than Just A Dream two years prior. Cooped up with each other in an insular environment on tour had taken its toll. “The last album was made super fast and in something of a bubble,” Fitz says. “This time there was a lot of massive change happening for all of us personally, so once we put our roots back in the ground at home, I needed someone to hold up a mirror and say, ‘Where are you right now, as a human being? What do you care about? What do you want to say to the world?’”
To hold up that mirror, the band turned to outside collaborators for the first time — the songwriters and producers Sam Hollander (Panic! At The Disco), Wallpaper’s Ricky Reed (Twenty-One Pilots), Jesse Shatkin (Sia, Matt & Kim), and Joel Little (Lorde), which gave the band an opportunity to answer some tough questions. “We relinquished control of ourselves,” Scaggs says, “and that enabled us to tell our story in a completely truthful manner.”
I needed someone to hold up a mirror and say, ‘Where are you right now, as a human being? What do you care about? What do you want to say to the world?’”
The result is Fitz and the Tantrums’ most emotionally connected record yet and one that centers on the theme of desire. “I wanted to explore this idea of desire in all of its forms,” Fitz says, “from primal, sexual desire on a song like ‘HandClap’ to the desire or need to belong on a song like ‘A Place for Us.’ Desire is one of those emotions that really forces you to turn your brain off and just feel. That’s just the nature of it. And that lends itself really well to us making a record that provides a soundtrack for people to access that emotion no matter where they are. If you’re getting ready for work in the morning and you’re thinking, ‘Ugh, I hate my boss,’ you have access to this music anytime that just changes the molecular structure in the room. It changes the energy.”
Desire is one of those emotions that really forces you to turn your brain off and just feel.
That transformative experience — further bolstered by the album’s diverse palette of musical influences including hip-hop, trap music, reggae, and world music rhythms played on 808s — is something Fitz and the Tantrums have always strived to deliver. “To me, the songs on this album offer a release from whatever is going on,” Scaggs says. “They help the listener shift their mood in that moment. Our goal was to make a record that makes anyone listening feel something from the heart and feel like they are a part of this community we’ve created.”
“We’re all connected and once people realize that, it’s going to change the way the world works.”
- Nov 13, 2016 at 8:00 p.m. – 11:00 p.m.
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